Quel giorno d'estate

Guy Lodge

In the decade between adolescence and adulthood, Vincent Lacoste has grown one of contemporary French cinema's great faces: at once beautiful and wonky, shaped by mischief and worry, like a Belmondo reflected in the surface of a choppy lake. That we get to see it move, think and crumple in ways we haven't quite before is the strongest selling point of "Amanda," a film already not short on unassuming charm. Following a sweetly feckless twentysomething jolted into adulthood when tragedy appoints him the guardian of his seven-year-old niece, it tells a familiar story furrowed by quiet emotional conviction, much of it in Lacoste's unhurried, unaffected turn. [...]

di Guy Lodge, articolo completo (4434 caratteri spazi inclusi) su Variety 2 settembre 2018