Kaboom

Director Gregg Araki lets his absurdist imagination run wild.

Gifted, idiosyncratic writer-director Gregg Araki has revealed the profoundly alienating impact of AIDS in The Living End and, in Mysterious Skin, how pedophilia can devastate and scar its victims. Even in those serious and powerful films he never lost his dark, antic sense of humor or his highly original way with a story.
In his latest, Kaboom, he is having a blast — in more than one sense of the word — that harks back to his cult films such as those in his Teenage Apocalypse Trilogy, which includes arguably his most famous early film, The Doom Generation. [...]

di Kevin Thomas, articolo completo (1722 caratteri spazi inclusi) su The Los Angeles Times 4 febbraio 2011