Codice Genesi

It's the end of the world -- again.

I used to think the apocalypse was so tomorrow. Lately at the movies, though, what with "Zombieland" and "2012" and "The Road" and "Daybreakers," the end of the world seems so yesterday. Another day, another sky full of ash. Another ribbon of highway littered with charred vehicles and human remains. While we're on the subject: Why doesn't the apocalypse ever figure into a film like "Leap Year" or "Did You Hear About the Morgans?" Where it could really do some narrative good? This week brings a lean, stark, surprisingly effective headliner in Hollywood's ongoing apoc-a-pala-looza. [...]

di Michael Phillips, articolo completo (3541 caratteri spazi inclusi) su The Los Angeles Times 15 gennaio 2010