At World’s End, Honing a Father-Son Dynamic
di Charles McGrath The New York Times
ERIE, Pa. — Cormac McCarthy’s Pulitzer Prize-winning novel, “The Road,” takes place in a world that, because of some unexplained catastrophe, has just about ended. The sky is gray, the rivers are black, and color is just a memory. The landscape is covered in ash, with soot falling perpetually from the air. The cities are blasted and abandoned. The roads are littered with corpses either charred or melted, their dreams, Mr. McCarthy writes, “ensepulchred within their crozzled hearts.”
For the crew that has just finished filming the movie version of “The Road” — a joint production of 2929 and Bob Weinstein’s Dimension Films, set to open in November — that meant an upending of the usual rules of making a movie on location. [...]
di Charles McGrath, articolo completo (9531 caratteri spazi inclusi) su The New York Times 27 maggio 2008
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