Peter Travers
Rolling Stone
The aerial photography in this biopic looks slick, as does two-time Oscar winner Hilary Swank as the rangy pioneer aviatrix Amelia Earhart, who went missing in 1937 while trying to circumnavigate the globe in her flying machine. But, oh mama, the minute the characters open their mouths, the onslaught of clichés brings the movie down in flames. The god-awful script by Ron Bass (Rain Man) and Anna Hamilton Phelan (Gorillas in the Mist) is assaultive in its insistence that “dreams have no boundaries” and other sentiments that even Hallmark would reject as too fucking much. [...]
di Peter Travers, articolo completo (2356 caratteri spazi inclusi) su Rolling Stone 22 ottobre 2009