Enigmatic Killer Finds Like Soul in Unlikely Place
di Manohla Dargis The New York Times
The first shot in “The Merry Gentleman,” an austere, nearly pitch-perfect character study of two mismatched yet ideally matched souls, is of its director, the actor Michael Keaton, sitting on a park bench. Still as stone, he stares ahead in profile, sphinxlike. He doesn’t say a thing, but the scene overflows with meaning, from the ringing church bells to the somber wintry light and the shallow focus that has turned the world around him into an undifferentiated blur. He seems less lonely than simply and bluntly alone. [...]
di Manohla Dargis, articolo completo (3760 caratteri spazi inclusi) su The New York Times 1 maggio 2009
twitter
diventa fan
