Buried Heartaches Rise at a Quiet Family Reunion
di Manohla Dargis The New York Times
The three generations who gather together in “Still Walking,” a quiet, stirring film from the Japanese director Hirokazu Kore-eda, fit uneasily under the same roof. Set in a port city, though largely played out in the tight, boxy confines of a single home, the film turns on a melancholic, at times resentful and seethingly angry 15th-anniversary reunion to mark the death of the eldest son. Grief has brought the scattered family members together and, at least at moments, seems all that they have left in common. [...]
di Manohla Dargis, articolo completo (4342 caratteri spazi inclusi) su The New York Times 28 Agosto 2009
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