Sex and the City

Più romantico che graffiante, un film nato classico, elegante, brillante, smaliziato, che non dimentica la morale

A little Botox goes a long way in “Sex and the City,” but a little decent writing would have gone even further. A dumpy big-screen makeover of that much-adored small-screen delight, the movie was written and directed by Michael Patrick King, one of the guiding lights and bright wits of the original series, based on Candace Bushnell’s newspaper columns and subsequent book. Once again, Sarah Jessica Parker has stepped into the dizzyingly high heels of Carrie Bradshaw, that postmodern Lorelei Lee — a hardly working New York writer with a passion for men and Manolos — but this time she’s taken a terrible tumble. [...]

di Manohla Dargis, articolo completo (5922 caratteri spazi inclusi) su The New York Times 30 maggio 2008