A Fractured Family in a Crumbling World
di Manohla Dargis The New York Times
Gentle, bawdy and at times rambunctiously, ticklishly rude, the Filipino movie “Serbis” opens with the camera ogling a naked woman preening before a mirror. “I love you,” she coos to her reflection, “I love you,” as the camera's point of view drifts between her face and breasts. In most movies this scene might foretell a predictable exercise in exploitation cinema. But the talented director Brillante Ma. Mendoza is after something slyer and more thoughtful than easy nudity for his latest, a story about a dilapidated movie theater and the fractured family that is trying not to disintegrate further inside its derelict walls. [...]
di Manohla Dargis, articolo completo (3772 caratteri spazi inclusi) su The New York Times 30 gennaio 2009
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