Naked Truth on a Movie Screen and in the Aisles
di Dennis Lim The New York Times
“SERBIS,” the new film by the Filipino director Brillante Ma Mendoza, takes place in a decrepit X-rated movie house, and often plays as if it were meant to be projected in one. The visuals are raw and scuffed; the soundtrack is noisy and unfiltered. The film features explicit sex and ends by spontaneously combusting, a hole burning through the celluloid like an old, self-destructing print.
“I’m trying to involve the audience in the experience,” Mr. Mendoza said in an interview while in New York this fall. [...]
di Dennis Lim, articolo completo (6515 caratteri spazi inclusi) su The New York Times 25 gennaio 2009
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