A Femme Fatale Who Finds Mystery and Eroticism in a Wheelchair
di Stephen Holden The New York Times
“Quid Pro Quo” hovers in a noir-shaded twilight zone where repressed memories, dreams, desire and guilt merge in an obsession with physical and emotional paralysis. The first feature written and directed by Carlos Brooks, this small, intensely acted film is a psychological detective story that suggests a boutique version of David Cronenberg’s “Crash” or David Fincher’s “Fight Club,” but it eventually runs out of courage.
Its narrator, Isaac Knott (Nick Stahl), is a reporter for a New York public radio station who tells his story over the air. [...]
di Stephen Holden, articolo completo (3426 caratteri spazi inclusi) su The New York Times 13 giugno 2008
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