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Death Is on the Line; Can You Hear It Now?

Early in “One Missed Call” a snooty cat is yanked into a fish pond by a disembodied arm, unexpectedly following her owner to a watery grave. The moment is wickedly humorous and suggests a movie that’s unwilling to take itself too seriously. If only.
The latest Japanese knockoff to fetishize death by technology, Eric Valette’s reworking of Takashi Miike’s “Chakushin Ari” is a poker-faced puzzle whose biggest shock is the absence of Sarah Michelle Gellar. [...]

di Jeannette Catsoulis, articolo completo (1545 caratteri spazi inclusi) su The New York Times 5 gennaio 2008