I padroni della notte

An Auteur for a Neglected New York City

IF asked to name a young American director who made his mark in the early 1990s, who gravitates toward criminal underworlds and loves movies with the passion of a geek, most people would say Quentin Tarantino. But there is another, less obvious answer: James Gray, who directed his first feature, “Little Odessa,” when he was 24 and in many ways has turned out to be the anti-Tarantino.
Steeped in very different artistic traditions — one postmodern, the other arguably premodern — the two filmmakers have had divergent career paths. [...]

di Dennis Lim, articolo completo (10962 caratteri spazi inclusi) su The New York Times 9 settembre 2007