Peter Travers
Rolling Stone
Director Noah Baumbach, Oscar-nominated for writing the 2005 gem The Squid and the Whale, is the rarest kind of filmmaker in formula Hollywood: He makes every word count without cheating on his characters for an easy laugh. Margot at the Wedding, following Kicking and Screaming, Mr. Jealousy and Squid, is a moral tale in the tradition of France's Eric Rohmer. It's the people, not the plot, driving this comedy of appalling manners. And Baumbach, with acute intelligence and annihilating wit, writes people with flaws we can (if we're honest) recognize as our own. [...]
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