Diary of the Dead - Le cronache dei morti viventi

Filmmakers Who Become Their Own Zombie Movie

In “George A. Romero’s Diary of the Dead,” the loosest, goosiest chapter in the filmmaker’s continuing zombieland epic, we meet the enemy and he is us, with video cameras. Set in Mr. Romero’s usual Pennsylvania stomping and chomping grounds (a k a Canada), the story pivots on a clutch of University of Pittsburgh students who, in the process of fleeing legions of the undead — despite their obvious handicap, zombies always find fresh meat — have taken up cameras, thus becoming the producers of their own snuff biopic. [...]

di Manohla Dargis, articolo completo (5087 caratteri spazi inclusi) su The New York Times 15 Febbraio 2008