That Red on White Is Blood on Snow
di Manohla Dargis The New York Times
Something wicked this way comes in the nifty horror film “The Last Winter,” crawling through the hallways and howling into the dread night. Set in the blinding white beauty of the Alaskan wilderness (though mostly shot in Iceland), the story brings us close to a small research team scouting the crude commercial possibilities for a large oil concern. Under the corporate rubric of “energy independence,” the company hopes to drill through the permafrost, a scheme that promises shivers that have nothing to do with the cold. [...]
di Manohla Dargis, articolo completo (4461 caratteri spazi inclusi) su The New York Times 20 settembre 2007
twitter
diventa fan
