Two Friends, Two Novels, One Mailbox: Lives at the Speed of Ambition
di Manohla Dargis The New York Times
An exuberant, exhilaratingly playful testament to being young and hungry — for life and meaning and immortality, and for other young and restless bodies — “Reprise” is a blast of unadulterated movie pleasure. Made under the self-knowing influence of the early French New Wave, before Godard discovered Mao and Truffaut lost his groove, the film wears its influences without a trace of anxiety, in part, I imagine, because its precociously talented Norwegian director, Joachim Trier, doesn’t worry about old-fashioned conceits like creative patricide. [...]
di Manohla Dargis, articolo completo (5947 caratteri spazi inclusi) su The New York Times 16 maggio 2008
twitter
diventa fan
