After 5 Decades, Still Igniting the Screen
di Manohla Dargis The New York Times
In August 1952 the director of “Monika” began shooting this wistful story of young passion and the autumn that inevitably follows in its wake. It had been a busy year. He had directed one of his own plays and been hired as the director of a theater company. He had shot and finished another film, the 11th in an already complicated career, though it had yet to open. He was supporting two ex-wives and five children from those unions, as well as a third wife and an infant son. Ingmar Bergman had just turned 34. [...]
di Manohla Dargis, articolo completo (5665 caratteri spazi inclusi) su The New York Times 14 novembre 2007
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